Monday, November 16, 2009

Lost in translation


journal entry november 5th.........

We looked at the masters again today while discussing cubism and abstract expressionism in art. It was overwhelming and makes you realize what a human mind is capable of. I have looked at Picasso’s cubism but Marcel Duchamp came as a revelation of sorts. I think the creative work is not of the artist alone, it connects the spectator with it who adds more meaning to it by adding his/her own interpretations and thus gives the piece its wholesomeness. Though Duchamp had the elements of fragmentation and synthesis of cubists, he also had the dynamism of the futurists. This came across beautifully in his Nude descending staircase No. 2.


Pollock epitomizes the term “action painting” using his hand, wrist and whole body to paint while challenging the conventions of using an easel. Hence he consciously moved from figurative representation to a more immediate means of creating art. I understand his urgency to have his art the way he wanted it to but Damien Hirst was a shocker. The works of this artist are basically lumps of dead animals in formaldehyde. Maybe they were too zany to attract sane people. But I think Hirst is very clever, his tact was to first grab the attention, whether it will stand the test of time is a different question altogether. I think it has and definitely will. Hirst is kind of a showman, derives all his sadist pleasures from his commercial success. He has a league of his own and it here to stay.

and so it continues......

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